Wednesday, December 15, 2010
Sunday, December 5, 2010
Touch of Evil
Saturday, December 4, 2010
Tuesday, November 30, 2010
Monday, November 29, 2010
citizen Kane
The Seventh Samurai
Citizen Kane
Sunday, November 28, 2010
TOP 200 FILMS
2001: A Space Odyssey
39 Steps, The
8 ½
Adventures of Robin Hood, The
Akira
Alexander Nevsky
Alien
Alphaville
American in Paris, An
Annie Hall
Apartment, The
Apocalypse Now
Asphalt Jungle, The
Augirre: the Wrath of God
Bad and the Beautiful, The
Bad Day at Black Rock
Battleship Potemkin
Beauty and the Beast (’46)
Bicycle Thief, The
Birth of a Nation, The
Black Cat, The (Karloff/Lugosi)
Blade Runner
Blow-Up
Blue Velvet
Bonnie and Clyde
Brazil
Bride of Frankenstein
Bridge on the River Kwai
Bringing Up Baby
Cabinet of Dr. Calagari, The (‘20)
Casablanca
Cat People (’42)
Chinatown
Citizen Kane
City Lights
Clockwork Orange
Conformist, The
Conversation, The
Crouching Tiger, Hidden Dragon
Crowd, The
Day the Earth Stood Still, The
Detour (’45)
Diary of a Country Priest
Die Hard
Die Nibelungen
Dirty Harry
Discreet Charm of the Bourgeoisie, The
Do the Right Thing
Double Indemnity
Dr. Strangelove
Dracula (’31)
Duck Soup
Duel
Easy Rider
Eraserhead
Exorcist, The
Eyes Without a Face
Fall of the House of Usher, The (Corman)
Fantasia
Fargo
Flash Gordon (serial)
Fleischer Studios – animation
Footlight Parade
Forbidden Planet
Freaks
French Connection
General, The (’27)
George Meilies – films
Ghostbusters
Gladiator
Godfather, The
Gojira
Gold Rush, The
Goldfinger
Gone With the Wind
Good, the Bad and the Ugly, The
Graduate, The
Grand Illusion, The
Grapes of Wrath, The
Greed
Gun Crazy (’50)
High Noon
High Sierra
His Girl Friday
Hitch-Hiker, The
Hud
Hustler, The
I Am a Fugitive From a Chain Gang
Ikuru
In the Heat of the Night
Intolerance
Invasion of the Body Snatchers (’56)
It Happened One Night
It’s a Wonderful Life
Jason and the Argonauts
Jaws
Jules and Jim
King Kong (’33)
Kiss Me Deadly
L’Aventura
La Dolce Vita
La Strada
Last Laugh, The
Last Year at Marienbad
Laura
Lawrence of Arabia
Lord of the Rings, The (Jackson)
Lost Horizon
Luis Bunuel – early films
Lumiere Brothers – films
M (’31)
Maltese Falcon, The
Manchurian Candidate, The
Manhattan
Metropolis (’27)
Mr. Hulot’s Holiday
My Man Godfrey
Network
Night of the Living Dead
North by Northwest
Nosferatu (‘22)
Nothing But a Man
Notorious
On the Waterfront
Once Upon a Time in the West
One Flew Over the Cuckoos Nest
Onibaba
Out of the Past
Passion of Joan of Arc, The
Peeping Tom
Persona
Phantom of the Opera (’25)
Place in the Sun, A
Playtime
Psycho
Raging Bull
Raiders of the Lost Ark
Ran
Rashomon
Rear Window
Rebecca
Rebel Without a Cause
Red Shoes, The
Repulsion
Road Warrior, The
Rome: Open City
Rules of the Game, The
Sacrifice, The
Salt of the Earth
Scarface (‘32)
Searchers, The
Set-Up, The
Seven Samurai, The
Seventh Seal, The
Shadows
Shock Corridor
Silence of the Lambs
Sin City
Singin’ In the Rain
Snow White and the Seven Dwarfs
Some Like It Hot
Sons of the Desert
Spirited Away
Stagecoach
Stalker
Star Wars
Straw Dogs
Sullivan’s Travels
Sunrise
Sunset Boulevard
Taxi Driver
Terminator, The
Texas Chainsaw Massacre, The
Thief of Bagdad (’24)
Thief of Bagdad (’40)
Third Man, The
Throne of Blood
To Be or Not To Be (’42)
To Kill a Mockingbird
Top Hat
Touch of Evil
Treasure of the Sierra Madre, The
Triumph of the Will, The
Ugetsu
Unforgiven
Vampyr
Vertigo
Videodrome
Wages of Fear, The
Warner Bros. cartoons – Chuck Jones
West Side Story
White Heat
Wild Bunch, The
Wild Strawberries
Wind, The
Winsor McKay – films
Wizard of Oz, The
Wolf Man, The
Woman Under the Influence, A
Yojimbo
Tuesday, November 23, 2010
Great Acting
Friday, November 19, 2010
Thursday, November 18, 2010
Monday, November 15, 2010
Suspiria
Tuesday, November 2, 2010
Film Noir
Untouchables Train Station Sequence
Heat Diner scene
Sunday, October 31, 2010
On The Waterfront
Tuesday, October 19, 2010
Jurassic Park Theme song
Aside from being an amazing movie, Jurassic Park has what I believe to be one of the best musical scores. This particular song is the theme song that is heard at different parts throughout the movie. The music is very powerful and well composed. It definitely allows you to immerse yourself into the movie.
The Hidden Fortress and Battleship Potemkin
I also thought that The Battleship Potemkin was a great silent film and great propaganda film. Although I don't normally enjoy silent films, the music really conveyed the emotions and point of view and I felt it was really powerful. This film is also a great example of using a montage technique.
On the Waterfront
Synchronous Sound
M
This movie exceeded my expectations for being so old. i was held captivated for the majority of the film, it has mystery, suspense and flare. i really liked the beginning and how it tied into the end with the blind man remembering that whistle, creepy, love it
I enjoyed the hunt for M in that office building a lot and the public recreation of a court. this movie had a bunch of details that i picked up on and had a purpose unlike some other films we watched
^-^ cheers
Monday, October 18, 2010
Jump
Fight Club scene. The moment i am talking about is when Tyler Durden, played by Brad Pitt, flashes on screen while, Tyler Durden, also played by Edward Norton, is looking over the photocopy machine. It produces a jarring effect telling the audience that something is not quite right. It is also an example foreshadowing, and damn good acting.
Sunday, October 17, 2010
On the Waterfront
Thursday, October 14, 2010
Film Glossary #4
Non-Synchronous Sound
Sound Editing
Sound Design
Soundtrack
Overlapping Dialogue
Sound Design
Sound Mixing
Diagetic Sound
Non-Diagetic Sound
Musical Score
Source Music
Production Sound
Camera Blimp
Sound Boom
Sound Effects
Voice-Over
Mickeymousing
Realist Musical
Formalist Musical
Musical Documentary
Music Video
Tuesday, October 12, 2010
Loving the Halloween horror month
M
expressionism example with crane shot
CONTAINS GRAPHIC IMAGES
only watch first 3 mins
^^
This scene from "The Cell", one of my favorite movies, is pure expressionism. It about entering the mind of a schizophrenic serial killer. This is the director's attempt to express the insanity and instability of the tortured killer. There are some very nice shots incorporated in the scene. Especially the scene with the baptism, its a great crane shot. The establishing shot showing the surface of the man's brain gives good idea of what to expect in the brain. Clearly the movie had a pretty big budget, and i bet the majority of it went into the mental penetration scenes, further proof comes from the casting of Jennifer Lopez. Blarg.
Monday, October 11, 2010
Top Ten Horror (no particular order)
M
"M"
Thursday, October 7, 2010
HORRORS!!!
Halloween is coming up! It’s time to select your favorite fright films. We are studying film genres this term and horror is one of our stopping-off points. List the movies that scare you the most. If you are a real fan, you can put down your Top Ten. Photos and clips are welcome. We might even watch a full length feature in class before the fateful night itself.
Film Glossary #3
Jump Cut
Establishing shot
Sequence Shots
Cutting to Continuity
Classical Cutting
Thematic Montage
Abstract Cutting
Master Shot Technique
Overlapping Shot Technique
Reaction Shot
Cut Away
Cover Shots
First Cut
Final Cut
Reverse Angle Shot
Cross-cutting
Parallel Editing
Flashback
Flash Forward
Film Glossary #2
High Key Lighting
Low key lighting
High contrast
Low contrast
Fill light
Back light
Color
Cool color
Warm color
Rack focus
Mise en scene
Montage
Aspect ratio
Masking
Iris
Pan
Tilt
Crane
Dolly
Zoom
Zolly
Handheld
Film Glossary #1
Classicism
Formalism
Expressionism
EXLS
LS
FS
MS
CU
EXCL
Deep Focus
Establishing Shot
Over-the-shoulder Shot
Wide-angle Lens
Telephoto Lens
Fish-eye Lens
Zoom Lens
Prime Lenses
Bird’s-eye View
High Angle
Eye-level Shot
Low Angle
Dutch Angle
Tuesday, October 5, 2010
Battleship Potemkin
Cross-cutting
Monday, October 4, 2010
Momento, flashing forward into the past
CLOSE UP
Crappy pixels on youtube show this under (pirates of the Caribbean, funny peanut)
Saturday, October 2, 2010
Battleship Potemkin
Tuesday, September 28, 2010
The Hidden Fortress
Sunday, September 26, 2010
Hidden Fortress
Tuesday, September 21, 2010
Eraserhead
Monday, September 20, 2010
Response To Films
Sunday, September 19, 2010
Eraserhead
The seventh Seal
Wednesday, September 15, 2010
"Stalker" - Russia 1979
Director Andrei Tarkovsky's science fiction film is an example of filmmaking dominated by mise en scene and not montage.
"Kiss of Death" - USA 1947
It's hard to see how this escaped the censors of the Hays Code in 1947 who had a contract out on brutal violence in the movies. Richard Widmark as the psychotic killer, Tommy Udo, is one of Film Noir's great bad guys.
Zolly Shot (Zoom/Dolly)
Several filmmakers, starting with Hitchcock, have used this shot to great effect. Here are examples from "Vertigo", "Jaws", "Poltergeist", "Goodfellas" and "Lord of the Rings".
Monday, September 13, 2010
The Cabinet of DR Calagari
Monday, September 6, 2010
"The Great Train Robbery" - USA 1903
In America, Edwin S. Porter, was taking film to a new level of entertainment. With imaginative camera placement and editing, the narrative cinema had taken a great leap forward.
"A Trip to the Moon" - France 1902
In just a few short years, film had gone from the moving pictures of everyday events that the Lumiere Brothers were busy cataloging to the full-fledged fantasy of George Melies. Although each shot was a long, static setup, stories were being told by putting strips of film together, also know as "editing".
Saturday, September 4, 2010
The Lumiere Brothers - France 1895
The earliest films were simple representations of everyday life, taken with one camera set-up, one short roll of film, and no edits. Audiences, who had never seen pictures move before, were transfixed.
Tuesday, August 31, 2010
UPDATED SYLLABUS
Fall 2010
Tom Hammond
This course is an introduction to film analysis and criticism. Being able to identify and interpret the various components of a film is vital to understanding the most important and influential art form of the last century and this one as well. We will watch clips and scenes in class. You will be assigned feature-length films to watch as homework as well as readings from the required text. There will be a class project and an individual project.
Class Blog: http://filmelements.blogspot.com. You will be invited to post on this website.
Instructors Contact Information – phone: 813-900-4759, email: hammontm@eckerd.edu
Face to face meetings can be arranged before or after class.
Required Text:
Louis Giannetti, “Understanding Movies”
Netflix – A monthly subscription is a good idea for the semester. All assigned movies are “streamable” on Netflix. It costs $9 per month and the first month is usually free. You can obtain all the films at the library, but availability might be a problem with 25 students and a limited number of copies on hand. You can rent or buy, but Netflix is easily the most convenient and affordable method. If you subscribe, you can receive the films by mail as well as streaming. Turnaround is about 3 days.
Course Requirements and Grading:
• Attendance & Participation 25% of grade
• Weekly Contribution to Class Project 25% of grade
• Midterm & Final Exam 25% of grade
• Final Project 25% of grade
Attendance & Participation – Every class covers a component of film history, theory and criticism vital to your overall understanding of the subject. If you can’t avoid missing a class, let me know in advance. Any pattern of absence or chronic lateness will be noted and will adversely impact your final grade. Speak up in class. If that is difficult for you, bring in something that will inspire discussion. The Blog is a component of participation. Contributing to it will generate interest in the class and good grades for you.
Class Project – We will assemble and complete a Film Glossary in this class. You will be given a terminology handout every week. What definitions we don’t cover in class, you will supply at home and turn in at the next session. I will make selections from this work and post it on the blog. Examples through still images, videos and sound clips should be part of this project wherever appropriate. By the end of the Semester we will have compiled a comprehensive and, hopefully, entertaining presentation on film and filmmaking terminology.
Mid-Term & Final Exams – You are responsible for knowing the vocabulary defined in our Class Project, the content of the assigned readings, and being familiar with class and required viewings. The exams will be a combination of objective and short essay questions.
Final Project – You will create and present to the class, a story told in pictures. You will take 12 photos (no more, no less) that tell a story or convey an idea. If you wish to shoot a video project, you must limit yourself to 12 shots (4 minutes or less total combined running time). Either way, the project must be done with a CAMERA. Whether photos or video, music can be added but not dialog or narration. You should employ as many of the ideas and techniques we have covered in class as is possible or feasible. You will present your work to the class on the final day and be prepared for a short Q&A/critique. A paper (1000 words minimum) explaining your choices will be due at the same time.
Academic Integrity – If you use an idea from another source, you can quote it or paraphrase it, but please CITE IT. Failure to do so will be a violation of the Honor Code.
The Eckerd College Honor Code: “On my honor, as an Eckerd College student, I pledge not to lie, cheat or steal, nor to tolerate these behaviors in others.”
To affirm this, you will write, “Pledged” followed by your signature on all assignments, papers and exams.
Assignment Schedule:
• All readings are chapters in the required text, “Understanding Movies” by Louis Gannetti.
• Assigned Viewings are films you are required to see outside of class (all “streamable” on Netflix).
• In class we will watch scenes and clips from various movies and documentary material on filmmaking. Much of this will also be posted on the Blog for your further study.
• The completed handout on the Class Project from the week before is due at every class session.
Week 1: Introduction
Week 2: Photography
Reading: Giannetti, Chapter 1
Assigned Viewing: “Metropolis” (1927), “The Cabinet of Dr. Calagari”
Class Project: completed handout due
Week 3: Mise en Scene
Reading: Giannetti, Chapter 2
Assigned Viewing: “The Seventh Seal”, “Eraserhead”
Class Project: completed handout due
Week 4: Movement
Reading: Giannetti, Chapter 3
Assigned Viewing: “The Hidden Fortress”
Class Project: completed handout due
Week 5: Editing
Reading: Giannetti, Chapter 4
Assigned Viewing: “Battleship Potemkin”
Class Project: completed handout due
Week 6: Sound
Reading: Giannetti, Chapter 5
Assigned Viewing: “M”
Class Project: completed handout due
Week 7: Acting – MIDTERM EXAM
Reading: Giannetti, Chapter 6
Assigned Viewing: “On the Waterfront”, “The Passion of Joan of Arc”
Class Project: completed handout due
Week 8: Drama
Reading: Giannetti, Chapter 7
Assigned Viewing: “Ikuru”
Class Project: completed handout due
Week 9: Story
Reading: Giannetti, Chapter 8
Assigned Viewing: “8 ½”
Class Project: completed handout due
Week 10: Literature
Reading: Giannetti, Chapter 9
Assigned Viewing: “Shoot the Piano Player”, “The Killing”
Class Project: completed handout due
Week 11: Ideology
Reading: Giannetti, Chapter 10
Assigned Viewing: “The Third Man”, “The Battle of Algiers”
Class Project: completed handout due
Week 12: Theory
Reading: Giannetti, Chapter 11
Assigned Viewing: “The Seven Samurai”
Class Project: completed handout due – last in the series
Week 13: Thanksgiving – no class
Week 14: Synthesis – FINAL EXAM
Reading: Giannetti, Chapter 12
Assigned Viewing: “Citizen Kane”, “Touch of Evil”
Individual Project Presentations due
EMERGENCY INFORMATION
In the event of an emergency or campus shutdown, class work will continue online at:
www.filmelements.blogspot.com
You will be invited to contribute as a blog correspondent at the beginning of the semester. This is part of the participation segment of your grade and the location for all information if class can’t be held as scheduled. Assignments will be posted there as well as suggested readings. Video lectures will be available if a shutdown continues for more than one week. You may also post any written assignments on the blog or send them to my email at:
hammontm@eckerd.edu
You can contact me by phone at: 813-900-4759
Be sure to review the school handout on procedure in the event of a hurricane.
Sunday, August 22, 2010
Course Syllabus
Elements of Film
Fall 2010
Tom Hammond
This course is an introduction to film analysis and criticism. Being able to identify and interpret the various components of a film is vital to understanding the most important and influential art form of the last century and this one as well. We will watch clips and scenes in class. You will be assigned feature-length films to watch as homework as well as readings from the required text. There will be a class project and an individual project.
Class Blog: http://filmelements.blogspot.com. You will be invited to post on this website.
Instructors Contact Information – phone: 813-900-4759, email: thammond1946@yahoo.com. Face to face meetings can be arranged before or after class.
Required Text:
Louis Giannetti, “Understanding Movies”
Netflix – A monthly subscription is a good idea for the semester. All assigned movies are “streamable” on Netflix. It costs $9 per month and the first month is usually free. You can obtain all the films at the library, but availability might be a problem with 25 students and a limited number of copies on hand. You can rent or buy, but Netflix is easily the most convenient and affordable method. If you subscribe, you can receive the films by mail as well as streaming. Turnaround is about 3 days.
Course Requirements and Grading:
· Attendance & Participation 25% of grade
· Weekly Contribution to Class Project 25% of grade
· Midterm & Final Exam 25% of grade
· Final Project 25% of grade
Attendance & Participation – Every class covers a component of film history, theory and criticism vital to your overall understanding of the subject. If you can’t avoid missing a class, let me know in advance. Any pattern of absence or chronic lateness will be noted and will adversely impact your final grade. Speak up in class. If that is difficult for you, bring in something that will inspire discussion. The Blog is a component of participation. Contributing to it will generate interest in the class and good grades for you.
Class Project – We will assemble and complete a Film Glossary in this class. You will be given a terminology handout every week. What definitions we don’t cover in class, you will supply at home and turn in at the next session. I will make selections from this work and post it on the blog. Examples through still images, videos and sound clips should be part of this project wherever appropriate. By the end of the Semester we will have compiled a comprehensive and, hopefully, entertaining presentation on film and filmmaking terminology.
Mid-Term & Final Exams – You are responsible for knowing the vocabulary defined in our Class Project, the content of the assigned readings, and being familiar with class and required viewings. The exams will be a combination of objective and short essay questions.
Final Project – You will create and present to the class, a story told in pictures. You will take 12 photos (no more, no less) that tell a story or convey an idea. If you wish to shoot a video project, you must limit yourself to 12 shots (4 minutes or less total combined running time). Either way, the project must be done with a CAMERA. Whether photos or video, music can be added but not dialog or narration. You should employ as many of the ideas and techniques we have covered in class as is possible or feasible. You will present your work to the class on the final day and be prepared for a short Q&A/critique. A paper (1000 words minimum) explaining your choices will be due at the same time.
Academic Integrity – If you use an idea from another source, you can quote it or paraphrase it, but please CITE IT. Failure to do so will be a violation of the Honor Code.
The Eckerd College Honor Code: “On my honor, as an Eckerd College student, I pledge not to lie, cheat or steal, nor to tolerate these behaviors in others.”
To affirm this, you will write, “Pledged” followed by your signature on all assignments, papers and exams.
Assignment Schedule:
· All readings are chapters in the required text, “Understanding Movies” by Louis Gannetti.
· Assigned Viewings are films you are required to see outside of class (all “streamable” on Netflix).
· In class we will watch scenes and clips from various movies and documentary material on filmmaking. Much of this will also be posted on the Blog for your further study.
· The completed handout on the Class Project from the week before is due at every class session.
Week 1: Introduction
Week 2: Photography
Reading: Giannetti, Chapter 1
Assigned Viewing: “Metropolis” (1927), “The Cabinet of Dr. Calagari”
Class Project: completed handout due
Week 3: Mise en Scene
Reading: Giannetti, Chapter 2
Assigned Viewing: “The Seventh Seal”, “Eraserhead”
Class Project: completed handout due
Week 4: Movement
Reading: Giannetti, Chapter 3
Assigned Viewing: “The Hidden Fortress”
Class Project: completed handout due
Week 5: Editing
Reading: Giannetti, Chapter 4
Assigned Viewing: “Battleship Potemkin”
Class Project: completed handout due
Week 6: Sound
Reading: Giannetti, Chapter 5
Assigned Viewing: “M”
Class Project: completed handout due
Week 7: Acting – MIDTERM EXAM
Reading: Giannetti, Chapter 6
Assigned Viewing: “On the Waterfront”, “The Passion of Joan of Arc”
Class Project: completed handout due
Week 8: Drama
Reading: Giannetti, Chapter 7
Assigned Viewing: “Ikuru”
Class Project: completed handout due
Week 9: Story
Reading: Giannetti, Chapter 8
Assigned Viewing: “8 ½”
Class Project: completed handout due
Week 10: Literature
Reading: Giannetti, Chapter 9
Assigned Viewing: “Shoot the Piano Player”, “The Killing”
Class Project: completed handout due
Reading: Giannetti, Chapter 10
Assigned Viewing: “The Third Man”, “The Battle of Algiers”
Class Project: completed handout due
Week 12: Theory
Reading: Giannetti, Chapter 11
Assigned Viewing: “The Seven Samurai”
Class Project: completed handout due – last in the series
Week 13: Thanksgiving – no class
Week 14: Synthesis – FINAL EXAM
Reading: Giannetti, Chapter 12
Assigned Viewing: “Citizen Kane”, “Touch of Evil”
Individual Project Presentations due