Monday, April 14, 2014

Sidney Lumet (1924 - 2011)

Since we ill be watching a film in class by Sidney Lumet this week, here is a sampler of his work.


The Verdict with Paul Neuman


Lumet directs Al Pachino in Dog Day Afternoon


The Hill with Sean Connery


12 Angry Men with Henry Fonda and Lee J. Cobb


Katherine Hepburn in Long Day's Journey Into Night


Serpico with Al Pachino


Peter Finch in Network


Lumet directs Marlon Brando in The Fugitive Kind


Sunday, April 13, 2014

Fist full of Dollars


I really thought this was a funny scene. After he kills the men and realizes it was four he then apologizes and says he meant prepare four coffins. I really joyed this film

Monday, April 7, 2014

West Side Story

2 hours and 33 minutes, 47 seconds. Not that I was counting.
I liked the blurring of background to focus attention, the lighting was amazing. The choreography was technically beautiful. The constant dancing and behavior of the gang members stretched any hope of plausibility beyond the snapping zone. This was a Broadway version of gangs, and I believe the screenplay was more about Shakespeare than street life. A highly romanticized view.
This was your basic Romeo and Juliet film, story wise.
It was interesting how through camera shots and music I got a feel for the characters...Dialogue was secondary.
Beautifully shot. Looked like a lot of dolly-shots and crane use.

Sunday, April 6, 2014

Blade Runner - 1982

Probably one of the three most influential sci-fi movies of all time, "Blade Runner" is a tour de force of visual design.  Challenging and thematically dark, it tells the story of a disillusioned man whose job it is to hunt down and kill androids who are struggling to find just a few more years of life before they die from built in obsolescence.


Rick Deckerd (Harrison Ford) - the Blade Runner


Poster art featuring Rutger Hauer


Rachael (Sean Young) and Deckerd - a still that generated controversy


Dr. Eldon Tyrell (Joe Turkel) - a father of creation


Ridley Scott directs Harrison Ford


One of the incredible miniatures of a future Los Angeles


A brooding poster for a dark film


Pris (Daryl Hannah) and Roy Batty (Rutger Hauer)


Poster art for the 2007 re-release - The Final Cut


The Bradbury Building in Los Angeles dressed up for the film

Monday, March 31, 2014

Manhattan

Backlit, a lot of silhouette. The darkness of this film was sometimes distracting.
Opinion Note: There were no truly likeable characters. The 17 year old seemed the only one with any sense of what it is to be "real." Everyone else seems narcissistically self-absorbed.
I do not think the lighting had the intended effect, unless it was to confuse. Nothing but the shadows seemed "true." If that was the point, it was brilliant. The exploration of middle age crisis was interesting, but in portrayal so vapid at times I found it very distracting.

I found myself thinking about how hard Allen was trying to be clever. I suppose we all think of ourselves as "clever." This film lacked "kindness." A cold homage to Ingmar Bergman in the lighting, yet another element of "clever, but emotionally cold."